Author : Vanessa Richter.
Published : Wed, Mar 27 2019 :4 PM.
Format : jpg/jpeg.
This same four-sentence paragraph structure may be used to develop the expected three main paragraphs in the example essay (one main paragraph for each of the three main points in the thesis statement) as well as any subparagraphs for each main paragraph. Using the example introductory paragraph developed in this article, might the reader have developed an effective understanding of the four-sentence basic paragraph structure illustrated to create the expected three main paragraphs for this essay example? Try it!
Because one of the great appeals of the personal essay is the conversational tone essayists take, it seems a given that it`s best to be conversant with your subject. But write what you know can also be an inkless cage; some of the best essays are a voyage of discovery for both writer and reader. You might accidentally flip some breakfast cereal with your spoon and have an epiphany about the origins of catapults. That little leap might take you seven leagues into the history of siege engines and voila!--a piece for a history journal comparing ancient weapons to new. Subjects sit, stand and float all around you: should you write about baseball, bacteria or bougainvilleas? The key is engagement with your topic so that the angle your writing takes is pointed and penetrating. You don`t write about cars, you write about the fearful symmetry of a 1961 T-Bird. The essayist should be, to paraphrase Henry James, one of the people on whom nothing is lost. Idly looking over at a fellow driver stopped at a traffic signal might be a moment to yawn, but it might also be a moment to consider how people amuse themselves in their vehicles. An essay here about new car technology, an essay there about boredom and its antidotes.
Leads are big. If your first bite of a meal is bitter, you`re likely to put the fork down and call for take-out. You`ve got to grab readers from the get-go. One method is direct address. Here`s the lead from an article of mine about dictionaries: Think of your favorite book. No, better yet, go and get your favorite book, feel its heft in your hand, flip through its pages, smell its bookness. Read a passage or two to send that stream of sparks through your head, the alchemy that occurs when the written word collides with the chemicals of your consciousness. Delight is the fruit of that collision. It tells the reader to do something, with a visual and sensual context. It`s hard for a reader not to read that lead and avoid doing what it requests, at least in the reader`s imagination. Here`s another lead of mine that takes a different tack, one of identification or empathy: Scuttlebutt had it that Barbara Cartland, the doyenne of romance writers, did much of her early writing at the piano, stark naked. However that strains credibility, everyone`s heard of writers who insist they can`t write without their ancient manual typewriters with the missing keys, or their favorite fountain pens (or maybe even a stylus and hot wax). Writers can be a peculiar lot, and it`s not surprising that their composing methods can be all over the map.
Although there are many resources available via the Internet describing how to build paragraphs, this author uses a simple four-sentence method for constructing a basic paragraph. In a basic paragraph, first sentence, often labeled the topic sentence, states what is the main point of the paragraph. Second sentence provides some evidence that demonstrates or supports the main point. Third sentence describes for the reader how the writer understands the information provided in the second sentence DOES demonstrate or support the main point stated in the first sentence. Since the first three sentences DO communicate the main point of the paragraph, provide evidence to support or make that point, and explain how the evidence provided DOES support the main point according to the writer`s understanding, then by the end of the third sentence, the point of the paragraph HAS BEEN MADE. Therefore, sentence four is designed to communicate to the reader that the point of the paragraph has now been made AND introduce the reader to the main point of the next paragraph. This four-sentence structure may be used to develop the three main paragraphs in an essay (and any subparagraphs for the main paragraphs) as well as developing the introductory paragraph.
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Besides beginning with a memorable bit about Ms. Cartland, it invites the readers to consider their own pecadillos about favorite objects and fetishes, whether they are writers or not. You want the reader here to nod yes, agree that people are odd, and move forward into the piece. Sometimes a question that has a universal appeal can do the trick. Consider this: Could listening to a barking dog actually drive you mad? I fear it could. Worse yet, I fear this not in theory, but in fact: barking dogs are making me a sweaty mess. The statement shapes my own problem into one that might apply to many. You`ll drag a dog lover or hater (and that`s a broad audience) deep into the essay by this lead leash.
First-person essays span space, time and subject: the city dump, an obsessive bird, or a toy from the 60s--all subjects of essays I`ve published--are just one shuffle of an endless deck of compelling themes. Mongrel lot or not, it`s never the subject of an essay that tells, but the style and stance of its author--what might seem the least likely of essay subjects can be made a piquant page-turner by a writer`s winning hand. We`ll look here at choosing the topic, slant and voice of your essay, constructing a lead, building an essay`s rhythm and packing a punch at essay`s end.